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- <text id=92TT0633>
- <title>
- Mar. 23, 1992: Fantasy Island
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Mar. 23, 1992 Clinton vs. Tsongas
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 67
- Fantasy Island
- </hdr><body>
- <p>By Amelia Weiss
- </p>
- <qt>]
- <l>DREAMING IN CUBAN</l>
- <l>By Cristina Garcia</l>
- <l>Knopf; 245 pages; $20</l>
- </qt>
- <p> What most Americans know about Cuba is Fidel Castro in
- fatigues and Ricky Ricardo singing Babalu. Its geography is
- Havana, a bad movie starring Robert Redford, and--somewhere
- on the coast--something called the Bay of Pigs. Add memories
- of big cigars, and white su gar, which now poses a greater
- threat to American health than communism. Otherwise, Cuba has
- been a closed port 90 miles off the U.S. coast, the plague
- island of the Caribbean.
- </p>
- <p> For the children of gusanos (worms)--Castro's
- vilification of the Cubans who fled the revolution--it's a
- hard exile. First-generation Americans, they live cut off from
- a homeland their parents cannot forgive and their new country
- forbids them to visit.
- </p>
- <p> In her impressive first novel, Dreaming in Cuban, Cristina
- Gar cia takes back her island. A former TIME correspondent and
- Miami bureau chief, Garcia left Havana with her family when she
- was two. Her story is about three generations of Cuban women
- and their separate responses to the revolution. Her special
- feat is to tell it in a style as warm and gentle as the
- "sustaining aromas of vanilla and almond," as rhythmic as the
- music of Beny More.
- </p>
- <p> Dressed in her best housedress, Celia del Pino, a
- 63-year-old revolutionary, sits in a wicker swing "guarding the
- north coast of Cuba." She wears the drop pearl earrings left by
- her departed Spanish lover and dreams of being honored by Fidel
- Castro--"El Lider himself"--on a red velvet divan. Instead,
- before dawn, she sights her dead husband, iridescent blue and
- "taller than the palms, walking on water in his white summer
- suit and Panama hat."
- </p>
- <p> Celia's children live in cold countries. Her son has
- immigrated to the East bloc. Her daughter Felicia is mad. And
- her eldest daughter Lourdes--a ferocious anticommunist who
- scans the newspapers for signs of leftist conspiracies--owns
- the Yankee Doodle Bakery in Brooklyn and sells apple pie to
- Americans.
- </p>
- <p> Lourdes loves the cold. She relishes "the ritual of
- scarves and gloves, hats and zip-in coat linings. Its layers
- protect her." Raped by revolutionaries who afterward carved
- "crimson hieroglyphics" into her soft belly, she wants "no part
- of Cuba, no part of its wretched carnival floats creaking with
- lies, no part of Cuba at all." But her Americanized daughter
- Pilar, born in Cuba when the revolution was 11 days old, misses
- her abuela: "Every day Cuba fades a little more inside me, my
- grandmother fades a little more inside me. And there's only my
- imagination where our history should be."
- </p>
- <p> Garcia's imagination is ambitious. Not only does she
- reunite Pilar with her grandmother; she also claims her own
- aesthetic identity. Like a priestess, in passages of beautiful
- island incantation, she conjures her Cuban heritage from a land
- between "death and oblivion," so that she too can fasten on
- Abuela Celia's drop pearl earrings, sit in a wicker swing by the
- sea, and watch as the radiant spirits of her forefathers
- "stretch out a colossal hand."
- </p>
-
- </body></article>
- </text>
-
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